On the afternoon of January 6, 1905 fire was discovered in the large brick City Hall that had served Springfield since 1856. Five minutes later flamed burst from all parts of the building. In twenty minutes the roof fell in and in an hour nothing was standing except the walls and tower. According to reports, the fire was set by a pet monkey escaping from its cage and overturning a kerosene lamp in pursuit of food from an exhibition in progress in the hall. The people in the building all escaped but the monkey lost its life in the conflagration. Also lost were all the assessors’ records in the city; the monetary loss of $100,000 was uninsured.
Ambitious plans were laid for the city’s second city hall. The grand municipal complex was to consist of two temple-like Greek Revival buildings flanking a 300-foot high Italianate Campanile clocktower. Completed in 1913, former President William Howard Taft officiated the opening ceremonies. Due to a height restriction in Springfield, the Campanile, with a carillon of twelve bells, remained the tallest structure in the city until 1973.
American Town Halls
There is no better way to see America than on foot. And there is no better way to appreciate what you are looking at than with a walking tour. Whether you are preparing for a road trip or just out to look at your own town in a new way, a downloadable walking tour from walkthetown.com is ready to explore when you are. This blog looks at America's Town Halls and Courthouses...
Friday, November 26, 2010
Wednesday, November 24, 2010
Albany, New York
Henry Hobson Richardson, America’s most influential architect of the late 1800s, went straight into his playbook for this municipal building in 1881 that replaced the previous city hall, designed by Philip Hooker in 1829, that had burned down. Richardson’s City Hall features many of his trademark Romanesque design elements: contrasting light and dark rough-cut stone; multiple arches, often in sets of three; groups of truncated pillars, decorative gables and a tower. In an 1885 listing of the Ten Most Beautiful Building in America by American Architect magazine, the Albany City Hall was on the honor roll. In 1927 the pyramidal-roofed tower was outfitted with the first municipal carillon in the United States, equipped with 60 bells. The largest weighs 11,200 pounds.
Sunday, November 21, 2010
Johnstown, Pennsylvania
Joseph Johns set aside space on all four corners of this intersection for “parklets.” Three remain and only the corner containing City Hall is occupied. Constructed in 1900 to replace an earlier building on this site, the new City Hall held special significance for the community. Here one of the flood’s most beneficial changes to the town took place - the consolidation of many of the valley’s small boroughs into the City of Johnstown. Before the flood, each borough guarded its governing rights but rebuilding together made more sense and so consolidation was voted in on November 6, 1889.
The city fathers wanted to be sure that the new City Hall, constructed in 1900 to replace an earlier municipal building on the site, symbolized what they believed was the modern, progressive nature of Johnstown. To that end, Charles Robinson of Altoona designed a Richardsonian Romanesque structure, which at the time was the style of choice in America for monumental civic buildings. Walter Myton served as project architect; he designed at least forty residences in the area, along with
as many churches, schools, and stores.
A square wooden cupola, rising out of the western end of the roof, contains miniature features found in the larger building, such as false arches with voussoirs and small arched balconies. It also has clock faces on all four sides. Note also the markers on the wall of City Hall, showing high water lines during Johnstown’s three worst floods. Flood control measures were taken after the 1936 disaster, yet in 1977, a “once in 500 years” storm caused a flood resulting in 85 deaths and $200 million in damage.
For decades, one of the residents of the parklets around Market and Main streets was Morley’s dog, a statue ]made in the late 1800s by J.W. Fiske Iron Works, a New York City-based maker and retailer of ornamental iron and zinc products. Cambria Iron executive James Morley bought the statue and placed it in his lawn at Main and Walnut, where it stood until being washed away by the floodwaters in the great flood of May 31, 1889. Recovered in the debris pile at the stone bridge, it was returned to Morley. The Morley family kept the statue at various residences throughout the city, including a house on Palliser Street in Southmont. In the 1940s, the statue was donated to the city, and became a beloved icon. It has since been removed in anticipation of needed restoration.
Over time people came to believe that Morley was a dog that saved a child during the great flood. There was such a dog, a Newfoundland named Romey who saved three people, but Morley’s Dog has nothing to do with that incident. This misconception was spread further by a reference in the 1977 Paul Newman movie Slap Shot.
The city fathers wanted to be sure that the new City Hall, constructed in 1900 to replace an earlier municipal building on the site, symbolized what they believed was the modern, progressive nature of Johnstown. To that end, Charles Robinson of Altoona designed a Richardsonian Romanesque structure, which at the time was the style of choice in America for monumental civic buildings. Walter Myton served as project architect; he designed at least forty residences in the area, along with
as many churches, schools, and stores.
A square wooden cupola, rising out of the western end of the roof, contains miniature features found in the larger building, such as false arches with voussoirs and small arched balconies. It also has clock faces on all four sides. Note also the markers on the wall of City Hall, showing high water lines during Johnstown’s three worst floods. Flood control measures were taken after the 1936 disaster, yet in 1977, a “once in 500 years” storm caused a flood resulting in 85 deaths and $200 million in damage.
For decades, one of the residents of the parklets around Market and Main streets was Morley’s dog, a statue ]made in the late 1800s by J.W. Fiske Iron Works, a New York City-based maker and retailer of ornamental iron and zinc products. Cambria Iron executive James Morley bought the statue and placed it in his lawn at Main and Walnut, where it stood until being washed away by the floodwaters in the great flood of May 31, 1889. Recovered in the debris pile at the stone bridge, it was returned to Morley. The Morley family kept the statue at various residences throughout the city, including a house on Palliser Street in Southmont. In the 1940s, the statue was donated to the city, and became a beloved icon. It has since been removed in anticipation of needed restoration.
Over time people came to believe that Morley was a dog that saved a child during the great flood. There was such a dog, a Newfoundland named Romey who saved three people, but Morley’s Dog has nothing to do with that incident. This misconception was spread further by a reference in the 1977 Paul Newman movie Slap Shot.
Saturday, November 20, 2010
Bristol, Rhode Island
It is probably safe to assume no one born in Indiana ever had as much impact on Rhode Island as Ambrose Burnside. command of Fort Adams in Newport brought Burnside to the Ocean State in 1852 where he found a wife and a permanent reputation as the inventor of a famous rifle that bore his name - the Burnside carbine. That reputation propelled a Civil War career that led Abraham Lincoln to offer him command of the Union Army. Major General Burnside turned him down believing, correctly, that he lacked the appropriate experience.
After the war ended Burnside was immediately elected to three one-year terms as Governor of Rhode Island and then mixed a successful business career with his political ambitions. At its inception in 1871, the National Rifle Association chose him as its first president. In 1874 he was elected to the United States Senate and was serving a second term when he died of a heart attack in Bristol in 1881 at the age of 57.
The erection of this memorial, now serving use as a town building, was quite a big deal in 1883 when it was planned. A crowd of some 5,000 overwhelmed the streets of Bristol to hear President Chester A. Arthur speak at the laying of the cornerstone. The building itself was designed by Stephen C. Earle of Worcester, Massachusetts and displays many of the hallmarks of the Richardsonian Romanesque style including prominent arches, multi-chromatic materials and pillar groups. Long completely clad in ivy, an award-winning restoration revealed the design details and red mortar between the stones. To the side and rear is the Bristol War Veterans Honor Roll Garden.
After the war ended Burnside was immediately elected to three one-year terms as Governor of Rhode Island and then mixed a successful business career with his political ambitions. At its inception in 1871, the National Rifle Association chose him as its first president. In 1874 he was elected to the United States Senate and was serving a second term when he died of a heart attack in Bristol in 1881 at the age of 57.
The erection of this memorial, now serving use as a town building, was quite a big deal in 1883 when it was planned. A crowd of some 5,000 overwhelmed the streets of Bristol to hear President Chester A. Arthur speak at the laying of the cornerstone. The building itself was designed by Stephen C. Earle of Worcester, Massachusetts and displays many of the hallmarks of the Richardsonian Romanesque style including prominent arches, multi-chromatic materials and pillar groups. Long completely clad in ivy, an award-winning restoration revealed the design details and red mortar between the stones. To the side and rear is the Bristol War Veterans Honor Roll Garden.
Frederick, Maryland
This Victorian style building, constructed in 1862, has been described as “one of the prettiest courthouse squares in America.” In 1765, Frederick citizens assembled in the courtyard and burned effigies of government officials in demonstration of the Stamp Act. This is considered to be the first public uprising against the monarchist rule, occurring several years before the Boston tea party. Busts of Maryland’s first governor Thomas Johnson and Supreme Court Justice Roger B. Taney are displayed in the courtyard.
This building replaced the original courthouse on the site that burned on May 8, 1861, with the bell in the cupola eerily tolling its own death knell as the roof began to collapse. Brick and iron fortify the present structure, a model of fireproof construction when it was completed in 1862. In 1986 the city government moved into the old courthouse.
This building replaced the original courthouse on the site that burned on May 8, 1861, with the bell in the cupola eerily tolling its own death knell as the roof began to collapse. Brick and iron fortify the present structure, a model of fireproof construction when it was completed in 1862. In 1986 the city government moved into the old courthouse.
Friday, November 19, 2010
Scranton, Pennsylvania
When Lackawanna County was formed in 1878, the city block that now houses the Lackawanna County Courthouse was known as “Lily Pond” or Tamarack Bog.” The property was a dump for ashes and cinders and was used for skating in the winter. In 1879, the Lackawanna Iron and Coal Company and the Susquehanna and Wyoming Valley Railroad and Coal Company donate the land as site for public buildings and a park.
Isaac Perry of Binghamton, New York was awarded the commission for the new county courthouse. Perry’s design called for a Victorian Chateau-style built in the warm tones of the city’s native west mountain stone, trimmed in Onondaga limestone. Construction was complete in 1884. In 1896, local architect B. Taylor Lacey designed the building’s third floor, adding eclectic stylistic influences such as a steeply pitched hipped tile roof, wall dormers with scrolled Flemish parapets topped by broken pediments and urns, a dentillated cornice and pyramidal-roofed towers.
The Lackawanna County Courthouse gained national attention in 1902 for its role as the meeting site for the Anthracite Coal Strike Commission’s sessions in Scranton. The Commission - appointed by President Theodore Roosevelt - met in the Superior Courtroom to hear testimony in America’s first non-violent federal intervention between labor and ownership. John Mitchell spoke on behalf of the mine workers and famed attorney Clarence Darrow represented management.
Listed on the National Register of Historic Places, the Courthouse received a re-design of the clock tower in 1929 and a two-story rectangular wing in 1964.
Isaac Perry of Binghamton, New York was awarded the commission for the new county courthouse. Perry’s design called for a Victorian Chateau-style built in the warm tones of the city’s native west mountain stone, trimmed in Onondaga limestone. Construction was complete in 1884. In 1896, local architect B. Taylor Lacey designed the building’s third floor, adding eclectic stylistic influences such as a steeply pitched hipped tile roof, wall dormers with scrolled Flemish parapets topped by broken pediments and urns, a dentillated cornice and pyramidal-roofed towers.
The Lackawanna County Courthouse gained national attention in 1902 for its role as the meeting site for the Anthracite Coal Strike Commission’s sessions in Scranton. The Commission - appointed by President Theodore Roosevelt - met in the Superior Courtroom to hear testimony in America’s first non-violent federal intervention between labor and ownership. John Mitchell spoke on behalf of the mine workers and famed attorney Clarence Darrow represented management.
Listed on the National Register of Historic Places, the Courthouse received a re-design of the clock tower in 1929 and a two-story rectangular wing in 1964.
Monday, November 15, 2010
Baltimore, Maryland
Situated on a city block bounded by Lexington Street on the North, Guilford Avenue on the
West, Fayette Street on the South and War Memorial Plaza to the East, the six-story structure was
designed by precocious 22-year old architect George A. Frederick in the Second Empire style with
prominent Mansard roofs and richly-framed dormers. Two floors of a repeating Serlian window
motif lord over an urbanely rusticated basement. Dedicated on October 25, 1875, it is an early
example of French Renaissance Revival construction in America. In 1975, City Hall was completely
restored to its former glory including the dome and formal hearing rooms.
West, Fayette Street on the South and War Memorial Plaza to the East, the six-story structure was
designed by precocious 22-year old architect George A. Frederick in the Second Empire style with
prominent Mansard roofs and richly-framed dormers. Two floors of a repeating Serlian window
motif lord over an urbanely rusticated basement. Dedicated on October 25, 1875, it is an early
example of French Renaissance Revival construction in America. In 1975, City Hall was completely
restored to its former glory including the dome and formal hearing rooms.
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